I’d come to discover this has a name: parasocial relationships, the dynamic where a “normal” person feels strongly towards a famous person. Ones that reassure me that I am fine, normal, that we are all jettisoned together.Įventually my preoccupations with other people’s lives would expand to include those with a public profile, too – people on TV, in films, musicians and, in later years, influencers. A creep with a desire for the clues that connect us all. But that’s a label that doesn’t sit right with me: my personal experience of a “voyeur” is a puce-faced man with the nickname Dave the Dagger rustling in the bushes of an alleyway next to my primary school, not a lachrymose tween sucking the chlorine water from her wet ponytail after a swimming lesson. I get lost for days, months, years in unrequited trystsĪt this point you might hastily, if understandably, assume I am some form of voyeur. These people, fixations and fantasies have defined my life. Viewing them from the tree, sprawled on their backs, making daisy chains and swapping shag bands and laughing in the unhinged way that only teenagers can, I believe it is only through surveying them that I might learn how to be a worthier friend, a savvier lady and a better person in the process. I am hooked on sneaky observation, only unlike in the playhouse days I return from the excursion racked with wistfulness rather than soothed. I would climb to the top of a tree in my garden and look at her as she lay on the grass with her new friend Donna, trading gossip and makeup, two luxury goods I am still too young to acquire. It is an ambient, almost meditative experience that creates a silent sense of camaraderie between us.Īs Tanya enters her teens, she begins to spend more time with girls her own age, and our days observing elderly people are now over. To follow the couple’s every move, even though they aren’t the demographic we are typically interested in, is mesmerising. It is a connection to a very adult world, an exercise in anthropology. Our view partially obscured by spindly trees, we study them for hours, rejoicing whenever we are rewarded with the smallest gesture – a sneeze, or a lean in for the remote. Most weekends and some afternoons after school, we meet on the sandpaper roof of her rotting wooden playhouse, where we whittle sticks or lick the sourness off Irn-Bru bars while staring intently into the front room of the elderly couple who live over the fence. While we possess a mutual passion for Sylvanian Families, Jagged Little Pill and watching Ricki Lake, our relationship is crystallised by the obsessive, illicit hobby we share. I am grateful that she seeks my company and try to prove it at any cost – often at the expense of my gingham school uniform. When her sad, vast rabbit begins to urinate on the freshly installed carpet of her bedroom floor one Saturday afternoon, my kneejerk reaction is to pick up the pet with one hand and hold my dress out like a net with the other. She plays like a professional tap dancer and part-time sniper – with poise, urgent precision and intensity, the tips of her soft strawberry-blond hair whipping with vigour in the final throes of a particularly fraught arpeggio. Tanya is a wildly creative and prodigal musician I watch her do her scales and exam pieces on the clarinet, flute and piano most nights. I am nine and she is three years my senior. I t takes two weeks to fall in love with my new neighbour, Tanya.
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